Deze fotos toont de locaties waar een transgender persoon is vermoord en zijn een eerbetoon aan degenen die zijn vermoord / This series shows different locations where transgender people have been murdered, paying homage to those who have lost their lives
There is an established LGBTQ+ community in the agricultural sector, and just like their straight colleagues, queer farmers tend to put their businesses first.
The series Play Toy refers to the magazine Playboy. The photographer created gay bedroom scenes with various toys and took pictures of them.
The photo shows a young woman in rainbow stockings standing in the street while the riot police march past. The Istanbul Gay Pride march, which had been planned for Sunday June 26, 2016, was banned because of ‘security concerns’.
The photo shows a happy 11 year old transgender girl playing outside with her brother, by Photographer Marika Puicher.
Nichelle is iemand waar de Kennedi Carter mee bevriend is, die zich mannelijk presenteert. Ze is een bodybuilder en heeft een absoluut verbluffende lichaamsbouw.
This image is from a series that explores the depths, beauty and sacred nature of Queer Love. Queer Muslim love. A love that is so vast and incredible but very rarely spoken about or celebrated.
In conservative Indonesia, transwoman community multifaceted struggles are being affected by the outbreak of covid-19, including the risk of Covid-19 infection, difficulty to access social assistance from the government, job loss, and the damaging effects of long-term stigma and discrimination.
Just two black boys who are both still growing into their selves.
I grew up in a family surrounded by women and lonely motherhood. I grew up seeing the absence of fatherhood. Men were less than women, but they decided and invoked a blind force.
They left their home towns in the countryside of Uganda after their parents discovered they were gay.
You may veil us, but you will never dictate who we love. Our love transcends your intolerance. Our love is greater than your hate.
The image was taken with queer people who pass as men, in an exploration of masculinity, African-ness and the construction and deconstruction of identity, belonging, blackness, queerness, and masculinity.
Self-exploration as a transgender femme through the act of photography
Paola was in a coma for three months and it took her nine months to leave the hospital, during which all she wanted to do was take her own life. Miraculously, she has recovered to being loving and positive human being with an incredible sense of humor.
This series is showing the life of a couple: Anne and Véronique, living in Brest, Brittany (France).
The Muxes are the third gender of the indigenous community of the isthmus of Oaxaca in Mexico, where the photographer was born.
Samantha Flores - now 84 - came out as a transgender woman in Mexico City 23 years ago, though she wasn’t able to officially change her gender identity until recently. In 2015 she was baptised as Samantha Aurelia Vicenta Flores García, a lifelong dream.
I started taking pictures of Eli when she was 10 years old. I came back in Madrid in 2015 and for two weeks I have lived in close contact with Eli. We developed a strong and sincere bond, also with her family, based on the awareness of our common battle for the right of being yourself.
Born into a strange universe where caged birds can sing but cannot fly, where our love is unloved, yet to die. Is everything untrue or are we?
In Peru and especially in the provinces, being gay is a taboo, there is a lot of discrimination, so in 2005 I was able to travel to Buenos Aires. Since 2017 I have been photographing boys residing in Buenos Aires, mostly from bordering countries and Latin America, their stories have similarities to mine ... we all arrive in search of freedom.
This photo story series explores the sunbathing community of the American University of Beirut Beach, Lebanon, located beside the Corniche, a famous seaside promenade in downtown Beirut.
By spending time with people at different stages of their transition, Bouchard discovered the vast complexity of the processes and transformations that female-to-males have had to undergo in their quest for physical and psychological self-alignment.
Friends Chotu and Rajan leaving the temple Soon after beginning my research to prepare 'Jugaad-Of intimacy and Love' I realised that my attempts to locate familiar identities in the public gestures rooted in India's homosocial culture would only stand in the way of embracing the many subtle layers of intimacies my collaborators eventually began sharing with me. QUOTE: “ What we feel is, when we hold hands and walk, the love that we have gets strengthened even further. Our love becomes deeper and we establish trust in each other and build upon it through this." Gaurav. For 'Jugaad-Of Intimacy and...
The project is about women’s prisons is a part of a trilogy that is centered around the lives of women in closed institutions. The impulse of research of such communities arose in a reflection of my teenage period spent at the closed rehabilitation boarding school. I spent a few months, working in several prisons for women in the Siberia.
Look deeply and you will see that man and woman are not seen as separate beings... In Two Is One, I challenge the role of gender by engaging with my subjects masculinity and femininity. Thus, creating an image where man is woman and woman is man...
In these self-portraits the photographer reenacts ceremonies from heteronormative, cisgendered culture. These photographs are direct parodies of moments their family members lived through.
Androgyny scares, baffles and fascinates at the same time. Androgynous people live between the polarities of a binary society: visually they fit neither the female nor male stereotype. Their dual natures coexist in each world like cross-faded images contained in one frame. Separating them into two classic genders makes this polarity visible and present while mirroring back the viewer's norms and stereotypes.
This series of portraits is focused on the life of gay people in Russia. It is a visual tale of melancholy, loneliness and uncertainty about the future.
I was invited to stay in Apartment number 779 in 2008, when I was just back after the war in Georgia, and had nowhere to stay during my work and study in Moscow.
Chameleon is a photo essay about visibility and stands as a conversation between masculinities and spaces. Looking beyond heteronormative confines the still frames evoke the love, fear, joy and safe environments of people that exist outside these sometimes suffocating constructs.
Mélanie is posing with her boyfriend, her father, her step-mother and her sister. She's in the middle of a sexual reassignment. She is highly supported by her family, her friends and her boyfriend. She accepted to participate in this project as an activist gesture to put in the light the life of transgender people.
Imane, 19, lives in Casablanca and is a lesbian. She says she is “A lesbian proud of herself!” She has never hidden her homosexuality
In Myanmar (Burma), same sex marriage, and even relationships, are still illegal. While same sex marriage or civil partnerships are a distant hope, this series dreams of a revolution.
In Kigali, B., transexual and transvestite opens the shutter of her room of this tiny house. Her livelihood comes from prostitution, and often takes different narcotics which help her to cope with her marginalised existence During a party in the lounge of a girlfriend's house, C. dances while sipping a Primus, while A. watches upon them. The two friends survive in Kigali thanks to prostitution as it is extremely difficult or even impossible to find a job as soon as you are identified as LGBT. "I don’t sleep with anyone for money but for pleasure. This is what makes me...
Any discussion around sex and sexuality is taboo in my country. It is a family-oriented, moderate society with strong economic class structure.
During a two-month backpacking trip through Europe in the spring of 2018 Mickey Aloisio photographed over 50 men in six cities. He found himself stepping in front of the lens with them as a way of visually documenting and reflecting on these immensely intimate first encounters.