Deze fotos toont de locaties waar een transgender persoon is vermoord en zijn een eerbetoon aan degenen die zijn vermoord / This series shows different locations where transgender people have been murdered, paying homage to those who have lost their lives
The project is about women’s prisons is a part of a trilogy that is centered around the lives of women in closed institutions. The impulse of research of such communities arose in a reflection of my teenage period spent at the closed rehabilitation boarding school. I spent a few months, working in several prisons for women in the Siberia.
Yanovska's serie speelt met relaties, seksualiteit, en onze percepties. Wat zie jij als je naar de koppels kijkt? Bij geen van deze set foto's weten we welk koppel authentiek is, en welk in scène is gezet.
Under Sharia law in Aceh, Indonesia, transgressions are punished by corporeal punishment. The number of lashes varies from 7 to 100, depending on the perceived severity. The photos show a court case and public caning, of men who were in a same-sex relationship.
With his controversial photos, David Těšínský tries to dispel stereotypes and open people's eyes. Like the acceptance of homosexuality in sports, and specifically in professional football.
In China gay-sexuality is not illegal anymore but it is still unaccepted by society and the older generations. Hardly any of the young people I met and photographed for this project are able to speak openly to their parents about their sexual preferences.
Imane, 19, lives in Casablanca and is a lesbian. She says she is “A lesbian proud of herself!” She has never hidden her homosexuality
Born into a strange universe where caged birds can sing but cannot fly, where our love is unloved, yet to die. Is everything untrue or are we?
To date, 600 people have been astronauts. None have flown into space as an openly LGBTQ+ person. The Gay Space Agency confronts the American Space program’s historical exclusion of openly queer astronauts and asks what American heroism looks like and who might be a part of future exploration.
The underground Kiki Ballroom scene in New York City is a community organized by LGBTQ youth (14-25 years) of color, many of whom were cast out by their families and communities.
This image is from a series that explores the depths, beauty and sacred nature of Queer Love. Queer Muslim love. A love that is so vast and incredible but very rarely spoken about or celebrated.
Exploitation is becoming more and more a hot topic in photography. Even more when it comes to the photography of minorities and unseen communities.
Since the Indian Supreme Court recognised the Third Sex in 2014, the socio-economic position of the trans community has improved significantly. The project Shape of Self shows this through portraits of trans people from West Bengal.
Relationships, real or imagined, are at the center of this work. Growing up queer, I searched for a history that spoke to me—included me.
The five men pictured in this series, are all gay and over the age of seventy. We have talked for hours. About aging and dreams, love, exclusion, and fears, and out of these conversations, this series was formed.
By spending time with people at different stages of their transition, Bouchard discovered the vast complexity of the processes and transformations that female-to-males have had to undergo in their quest for physical and psychological self-alignment.
In conservative Indonesia, transwoman community multifaceted struggles are being affected by the outbreak of covid-19, including the risk of Covid-19 infection, difficulty to access social assistance from the government, job loss, and the damaging effects of long-term stigma and discrimination.
Look deeply and you will see that man and woman are not seen as separate beings... In Two Is One, I challenge the role of gender by engaging with my subjects masculinity and femininity. Thus, creating an image where man is woman and woman is man...
WALTZ TIME is a photographic essay that offers a glimpse into the hidden moments shared between male sex workers and their long-term male clients. This series is captured in hotel rooms around Plaza de Armas in Santiago - Chile’s capital.
WE/US is an intergenerational photography and oral history project that celebrates the undocumented presence of butches and studs from working-class backgrounds within the British landscape. The project explores the experience of female masculinity through the structures of class and race across the United Kingdom, and captures the vast diversity of gender expression within the community. The term ‘butch’ generally refers to masculine-presenting lesbians and originated from the working class bar culture in the US in the 1940s and 50s. ‘Stud’ is a more recent term, coming from working-class Black lesbian communities in the US, now taken up by Black masculine-presenting...
WHEN I GROW UP I’M GONNA KISS YOU is a project that aims to take back control of the moral policing that the photographer Marika Kochiashvili experienced when growing up in Tbilisi, Georgia. Using nudity throughout her artistic practice, her focus is on the stories that emerge through gesture, posture and choreography, blurring the lines of binary ideas around gender identity. Audio Tours of this entry Entry Audio Tour by Alejandra Ortiz, curator of this year's exhibition. Pride Photo Fundation · Audio Tour 2024 - EN - Marika Kochiashvili, When I Grow Up Im Gonna Kiss You - By ALEJANDRA...
WOMEN IN PAIN is a series of portraits representing Kurdish Iraqi women while preserving their anonymity, and in so doing shares an overarching testament on the frequency of honour crimes, and gendered family violence, within this community. Since the 1991 uprising of the Kurdish region, which spans a number of different internationally-recognised countries, including Turkey, Syria, Iran and Iraq, more than 20,000 Kurdish women have been murdered. ‘Honour crimes’ refer to acts of violence and murder, committed within a family by members assigned male at birth, against those assigned female at birth that are perceived to have ‘dishonoured’ patriarchal societal...
This series of self-portraits serves both as counterpoint and compliment as to how the self is represented in our times—in the digital age, in the age of social media
Z (2015) is a collection of nude ambrotype portraits working with transgender, cisgender, and a spectrum of genderqueer and gender non-conforming individuals.
Kütmaan is a collection of intimate portraits and daily-life documentary photographs about individuals displaced, and/or claiming asylum, based on their sexuality or gender identity, from more than 20 countries around the world. It is a decade-long project, which began in 2010 in Damascus, Syria.