Pride Photo Award 2019
They left their home towns in the countryside of Uganda after their parents discovered they were gay.
You may veil us, but you will never dictate who we love. Our love transcends your intolerance. Our love is greater than your hate.
The Muxes are the third gender of the indigenous community of the isthmus of Oaxaca in Mexico, where the photographer was born.
Samantha Flores - now 84 - came out as a transgender woman in Mexico City 23 years ago, though she wasn’t able to officially change her gender identity until recently. In 2015 she was baptised as Samantha Aurelia Vicenta Flores García, a lifelong dream.
I started taking pictures of Eli when she was 10 years old. I came back in Madrid in 2015 and for two weeks I have lived in close contact with Eli. We developed a strong and sincere bond, also with her family, based on the awareness of our common battle for the right of being yourself.
Born into a strange universe where caged birds can sing but cannot fly, where our love is unloved, yet to die. Is everything untrue or are we?
In these self-portraits the photographer reenacts ceremonies from heteronormative, cisgendered culture. These photographs are direct parodies of moments their family members lived through.
Androgyny scares, baffles and fascinates at the same time. Androgynous people live between the polarities of a binary society: visually they fit neither the female nor male stereotype. Their dual natures coexist in each world like cross-faded images contained in one frame. Separating them into two classic genders makes this polarity visible and present while mirroring back the viewer's norms and stereotypes.
This series of portraits is focused on the life of gay people in Russia. It is a visual tale of melancholy, loneliness and uncertainty about the future.
I was invited to stay in Apartment number 779 in 2008, when I was just back after the war in Georgia, and had nowhere to stay during my work and study in Moscow.
During a two-month backpacking trip through Europe in the spring of 2018 Mickey Aloisio photographed over 50 men in six cities. He found himself stepping in front of the lens with them as a way of visually documenting and reflecting on these immensely intimate first encounters.
Z (2015) is a collection of nude ambrotype portraits working with transgender, cisgender, and a spectrum of genderqueer and gender non-conforming individuals.
ASYLUM is a series of mainly self-portraits that seeks to examine the contemporary African male sexuality against a backdrop of religion and tradition.