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Natural Configuration is an ongoing photographic series using the historical process of wet plate collodion tintypes, an early photographic technique in which images are created on metal plates through a slow, hands-on process. The work brings together queer bodies in a self-constructed archive, drawing on visual references from photographic history and queer image-making. Blending visual languages from the 19th century through to the 1980s, the images create a space where past and present overlap.
Natural Configuration reflects on how archives are formed, what is lost when queer representation is removed or censored, and who has the power to shape and hold these histories.
