Pride Photo 2016 — 2nd prize Open

Pride Photo Donate button

Collection 2025

  • Soon on view
  • Current Events
  • Jury 2025

Discover the archive

  • 2024
  • 2023
  • 2022
  • 2020
  • 2019
  • 2016
  • 2015
  • Photographers
  • Previous Juries

Pride Photo

  • What we do
  • Who we are
  • Get involved
  • Media Kit

Contact

  • Contact us
  • Privacy Policy
  • Instagram
  • Facebook
  • X

LnRiLWZpZWxke21hcmdpbi1ib3R0b206MC43NmVtfS50Yi1maWVsZC0tbGVmdHt0ZXh0LWFsaWduOmxlZnR9LnRiLWZpZWxkLS1jZW50ZXJ7dGV4dC1hbGlnbjpjZW50ZXJ9LnRiLWZpZWxkLS1yaWdodHt0ZXh0LWFsaWduOnJpZ2h0fS50Yi1maWVsZF9fc2t5cGVfcHJldmlld3twYWRkaW5nOjEwcHggMjBweDtib3JkZXItcmFkaXVzOjNweDtjb2xvcjojZmZmO2JhY2tncm91bmQ6IzAwYWZlZTtkaXNwbGF5OmlubGluZS1ibG9ja311bC5nbGlkZV9fc2xpZGVze21hcmdpbjowfQ==
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

Gian Cruz

You as Me

Gian Cruz 01 Earl
Earl
Gian Cruz 06 Peabo
Peabo
Gian Cruz 07 Thysz
Thysz

This series of self-portraits serves both as counterpoint and compliment as to how the self is represented in our times—in the digital age, in the age of social media. One could not deny as well of the ever-increasing pervasiveness of the web alongside constantly shifting trends of the global in societies across the globe. Along with the digital age, comes also the persistence of the construct of diasporic identities due to the ongoing exchanges left and right and constantly becoming borderless and deterritorialised.

In the currents of a time wherein almost everyone looks the same: familiar but strange, same but different—that’s perhaps the best way to describe individuals these days. Everyone seemingly looks the same on the outset yet through a hypnotic repetition of actualities, one could perhaps decipher differences in the long run or upon closer inspection. At one hand it becomes a dissonant rhetoric while on the other end, a simple persuasive dialogue that puts everything into place.

What also is interesting is that, the process of this self-portraits project situates itself in a constantly evolving dialogue that does not intend to conclude itself, as the self as against the web is a process in itself under construction.

In this currently ongoing series of “performative” self-portraits called “You as Me,” I use other people stand in for me to render these so-called “self-portraits” of his. With that process alone, it already situates spectators in a polemic about the actualization of the self that finds itself in an inevitable paradox while on the side of language, starting a conversation about “you being me” finds itself persistently interchangeable with “me being you.” The “you” overlaps with his proposed construct of the “me” and vise versa lending us a collaborative-self portrait.

It seems like deceptively simple project on the outset. Yet the more you think about it, the more you peel layers off it, the more this conversation becomes increasingly complex. At one hand, it may seem quite simply a conversation starter wherein “I” ask you to be “me” and the conversation would open up to a ton of other possibilities. The “you” transcends into “me” but in the bigger picture it is presents this continuous creation of the “we” rendering itself in this perpetual state of discourse and collaboration. It finds itself as some kind of elliptical discourse that never ceases and continues to tirelessly situate new directions and systems and even its own particular set of politics. It is much like the connectivity of individuals in the digital age or how the perception and construction of the self is being stimulated by a persistent and ever-fleeting exchange of information.

At present this series already consists of 200 portraits in the catalogue. It continues to grow, as it is an ongoing project that yearns to cover greater diversity by way of featuring more and more individuals to stand in for me from different social, cultural, and ethnic backgrounds. I also transition through the gaps and spaces of my communication with these subjects performing and standing in for me. It also finds itself in this societal context of our times, one that particularly embraces the digital age and the platforms of how we socialize. The particular process of You as Me leads to many gaps and inconsistencies that lends it its own particular strength which very much coincides with how contemporary visual culture is in the context of the present—chaotic, volatile, inconsistent.

Gian Cruz 02 Angela
Angela
Gian Cruz 03 Tien
Tien
Gian Cruz 04 Stevert
Stevert
Gian Cruz 05 Jacob
Jacob
Gian Cruz 08 Vyxz
Vyxz
Gian Cruz 09 EJ
EJ
Gian Cruz 10 Phipa
Phipa
Queerantine Gian CRUZ 02 HR
Gian Cruz

Pride Photo

  • What we do
  • Soon on view
  • Current Events
  • Discover the Archive

Contact

  • Contact us
  • Media Kit
  • Instagram
  • Facebook
  • X
Pride Photo logo v2 RGB black transp

© 2025 Pride Photo Foundation | Site by KLEIN and TwelveTrains

We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.Accept